Free PDF Everybody Behaves Badly: The True Story Behind Hemingway's Masterpiece The Sun Also Rises, by Lesley M. M. Blume

Free PDF Everybody Behaves Badly: The True Story Behind Hemingway's Masterpiece The Sun Also Rises, by Lesley M. M. Blume

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Everybody Behaves Badly: The True Story Behind Hemingway's Masterpiece The Sun Also Rises, by Lesley M. M. Blume

Free PDF Everybody Behaves Badly: The True Story Behind Hemingway's Masterpiece The Sun Also Rises, by Lesley M. M. Blume

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Pressestimmen

"Brimming, addictive ... in Everybody Behaves Badly, the party has just begun and the taste of fame is still ripe...the Lost Generation  [is] restored to reckless youth in living black and white." - James Wolcott, Vanity Fair "The story behind Hemingway's The Sun Also Rises is totally captivating, smartly written, and provocative." - Glamour "Meticulously document[ed] ... pacily written ... Ms. Blume has drawn deeply upon many sources, particularly Hemingway’s own correspondence, to deftly portray the cast of lost characters, their thin-skinned vanities and their quarrelsome insecurities." - The Wall Street Journal "Fiendishly readable ... a deeply, almost obsessively researched biography of a book, supported by a set of superb endnotes worth reading in their own right." - Washington Post "Masterfully told ... “Everybody Behaves Badly” is deeply evocative and perceptive, and every page has a Hemingway-like ring of unvarnished truth." - Christian Science Monitor "[A] must-read ... In Lesley M.M. Blume's latest release, escape to the real-life world of Hemingway's groundbreaking piece of modern literature, The Sun Also Rises. The boozy, rowdy nights in Paris, the absurdities at Pamplona's Running of the Bulls and the hungover brunches of the true Lost Generation come to life in this intimate look at the lives of the author's expatriate comrades." - Harper's Bazaar "In 1925, Ernest Hemingway and five companions traveled to Pamplona for six debaucherous weeks of booze, sex, and bullfighting that inspired The Sun Also Rises. Blume uncovers the truth behind the foundational roman a` clef of the Lost Generation." —Departures "An essential book ... a page-turner.  Blume combines the best aspects of critic, biographer and storyteller ... [she] culls information and quotes from numerous sources and puts the results together with the skill of an accomplished novelist.  [It is] a complicated story, told masterfully." —Minneapolis Star Tribune  "Revealing...The particulars of the Hemingways’ epic trip to Pamplona, Spain, with five friends in the summer of 1925—and the romantic entanglements that followed—shed light not only on Hemingway’s early career but also on other stories of the lost generation....Blume has carved a mountain of original research into a riveting tale of Hemingway’s literary, romantic, and publishing travails."—Publishers Weekly, starred review“Revealing . . . The particulars of the Hemingways’ epic trip to Pamplona, Spain, with five friends in the summer of 1925—and the romantic entanglements that followed—shed light not only on Hemingway’s early career but also on other stories of the lost generation . . . Blume has carved a mountain of original research into a riveting tale of Hemingway’s literary, romantic, and publishing travails.” —Publishers Weekly, starred review

Über den Autor und weitere Mitwirkende

LESLEY M. M. BLUME is an award-winning journalist, reporter, and cultural historian. She contributes regularly to Vanity Fair and the Wall Street Journal, and her work has appeared in Vogue, Town & Country, Departures, and many others. She lives in Los Angeles, California.

Produktinformation

Taschenbuch: 368 Seiten

Verlag: Eamon Dolan / Mariner; Auflage: Reprint (16. Mai 2017)

Sprache: Englisch

ISBN-10: 0544944437

ISBN-13: 978-0544944435

Größe und/oder Gewicht:

13,5 x 2,3 x 20,3 cm

Durchschnittliche Kundenbewertung:

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Amazon Bestseller-Rang:

Nr. 55.007 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

I have always been interested in the Ex-Pats of 1920s Paris. Of the writers, I am much, much more Team Fitzgerald, than Team Hemingway. But I enjoyed very much this account of Hemingway's development of his style and the impact it had. I reread The Sun Also Rises about a year ago and still can't say that I understand completely what all the fuss was about, but this book helped me put it into context which I appreciate. Probably the most interesting thing about the book for me was the confirmation it provided of my long-held opinion that Hemingway, whether or not a great writing talent, was most definitely not a great person. He left an enormous amount of human wreckage in his wake - wives, children, lovers, friends, mentors, even detractors - almost everyone who came in contact with him suffered some degree of emotional damage. But In the end, I suppose, his most damaged victim was himself.

I found the most interesting character in this book to be Lady Duff Twysden, the sultry, gold digging, hard-drinking, sexy, fun-loving, witty, free-spirited women (the kind that all bad boys desire) who Hemingway wanted but could never have: As a scorned, would be paramour, he trashed her in the “The Sun Also Rises” and criticized her at every turn subsequently. She mostly alluringly ignored his schoolboy attacks, thus infuriating “Hem” for a lifetime until he finally shot himself. She hooked up with the disinherited son of a Texas candy firm and lived essentially peacefully in a carefree, commune-style, “hippy” venue in New Mexico-- mainly happy and vibrant to the end (although she did have a bout with tuberculous). She is the diva of the book.Lesley M. M. (really?) Blume very interestingly, details the life of Hemingway and his fellow temporary expatriates mainly in Paris in the 1920's where there was “a small movement of writers [who] had been trying to shove literature out of [the] musty Edwardian corridors and into the fresh air of the modern world.” Along the way she writes of the accomplishments of Gertrude Stein (Hemingway “borrowed the term “Lost Generation” from her), F. Scott Fitzgerald and his wife, Zelda (comparable to Duff but not as enticing), Sherwood Anderson, Ezra Pound, and others, and their influence on Hemingway. To be sure, Hemingway is outed as a narcissist (if not psychopathic) user of those who helped him along the way-- including his first wife-- but eventually everyone who crossed his path. The book is very detailed (read the end notes-- well, some of them) and yet reads like a racy novel. Can't recommend it enough.

I happened, by coincidence, to read this at the same time I was reading Spain In Our Hearts, a really excellent history of the Spanish Civil War told through the experiences of American and British volunteers -- one of them being Ernest Hemingway (although his role was fairly small). I should also say that A Moveable Feast, Hemingway's account of his time in Paris (including some of this material) is a longtime favorite. Everybody Behaves Badly was a lot of fun to read, and many of the characters felt like, if not old friends, at least long-time acquaintances.While I'd never put it in the same category as Spain in Our Hearts (which I HIGHLY recommend), I thoroughly enjoyed it.

Interesting tales of Hemingway's career. The path to huge success was paved by his getting "The Sun Also Rises" into print. Not an easy path.Mostly stories about the emigré writers of the 20s. Hemingway made the most of his friends as characters and was very unkind to some who had befriended him. The author of the book brings out that "Hem"was an unpleasant person, especially if you thought he was your friend.

First the good news: the book is well-researched and well written. If you have no knowledge of Hemingway and want to get a feel for how he worked and lived in Paris in the years leading up to the publication of his book The Sun Also Rises, this is a good book for you.Then the bad news: I don't understand the reason the author spent so much time and energy writing a book about a man she obviously despises. It is painful to read.92 years ago, Hemingway thinly disguised real people and put their hijinks into a book. They are all dead, as is the world he wrote about. Why dig up all the dirt and rehash all Hemingway's betrayals, small and large, and put them all together in a portrait that there is no need to read? By this time, we all know he was a drunk and a womanizer. That doesn't take away from the fact that he wrote some of the most deathless prose that changed literature forever.His work stands on its own. If we start judging writers on their personal lives, who can stand?

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